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[#SOUND: s01-opening] [Curtain opening music, pause if scene ready] |
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SCENE 1
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Two footmen help Bertie into a uniform jacket, ablaze with medals, gold braid, tassels and epaulettes, As a finishing touch, they place a trio-corner hat topped with white ostrich feathers on his head.
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BERTIE |
(looking in the mirror) I look like a Christmas tree.
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SCENE 2
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Wembley Stadium, it is raining. Bertie stands CS, looking lost and forlorn. He is joined by his wife.
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ELIZABETH |
Buck up, Bertie.
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[#>SOUND: mic ON]
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A BBC microphone comes into view.
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BBC NEWS READER |
Good afternoon. This is the BBC National Closing Ceremony of the Empire Exhibition directly from Wembley Stadium. Honouring us with his Royal Presence is His Majesty, King George V. our Prime Minister, the Honourable Stanley Baldwin, and the Chancellor of the Exchequer, the Honourable Winston Churchill.
Today's Closing Address will be given by Albert the Duke of York. This is his first wireless broadcast to the Nation and the World.
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KING GEORGE V |
Ten million people listening, son. I wouldn't miss your maiden voyage for anything. Get on with it, boy! Show them what you're made of!
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Bertie steps forward.
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BERTIE |
Lords, ladies, gentlemen. No doubt you wish the P-p-p-prince...
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[#SOUND: s02-02-crowd-laughter] [Cue on stutter, plays through Bertie's speech, stop when scene ends after King George speaks] |
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There's a slight titter from the crowd.
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Prince of Wales was standing before you today. Be that as it may... my brother D-d-d-david is attending to other d-d-duties in the furthest parts of this vast Empire...
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He can't go on. In his mortification he turns to his father.
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[#>SOUND: mic OFF]
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KING GEORGE V |
(to Elizabeth) He needs more practice. |
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[#SOUND: s02-s03-score] [Cue on scene change] |
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SCENE 3
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At the Logues' house. Elizabeth enters, waits, coughs. Coughs again. Finally she calls out.
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ELIZABETH |
Anyone here?
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LIONEL |
(from offstage) In the lav. |
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[#SOUND: s03-01-flush-wash] [Cue on “in the Lav”, pause after 8secs (water runs), Lionel enters on audio end, end early if he comes on stage sooner] |
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Gurgling of a toilet being flushed is heard offstage. Water is being run. Lionel enters.
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„How poor are they that have not patience! What wound did ever heal but by degrees?“
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ELIZABETH |
I beg your pardon?
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LIONEL |
Iago. World's greatest villain. Sorry, no receptionist. Waste of money.
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He offers to shake hands. She doesn't.
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ELIZABETH |
I'd be more comfortable in your office.
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LIONEL |
That's for clients. Where's Mister J?
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ELIZABETH |
Doesn't know I'm here.
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LIONEL |
That's a promising start.
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ELIZABETH |
You were recommended as a last resort. My husband's seen everyone. They were useless. He's given up hope.
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LIONEL |
He hasn't seen me.
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ELIZABETH |
You're rather sure of yourself.
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LIONEL |
I'm sure of anyone who wants to be cured.
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ELIZABETH |
Of course, my husband wishes to be cured! His position requires public speaking. A torment for both speaker and audience.
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LIONEL |
He should change jobs.
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ELIZABETH |
That's not permitted. |
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LIONEL |
Indentured servitude?
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ELIZABETH |
In a manner of speaking.
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LIONEL |
I thought that was banned.
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ELIZABETH |
Not in his case.
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LIONEL |
Alright, Mrs Johnson, have your hubby pop in and give his personal history. I'll make a frank appraisal.
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ELIZABETH |
I do not have a 'hubby'. We never talk about our private lives. Nor do we 'pop'. You must come to us.
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LIONEL |
Sorry. My game, my turf, my rules.
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Elizabeth lifts her veil.
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ELIZABETH |
Perhaps you'll make an exception?
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Lionel recognizes her, but doesn't change his tone.
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LIONEL |
I thought the appointment was for 'Johnson'?
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ELIZABETH |
Used during the Great War, when the Navy didn't want the enemy to know 'HE' was aboard.
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LIONEL |
I'm considered the enemy?
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ELIZABETH |
You will be, should you continue to be disobliging.
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LIONEL |
Sorry, no exceptions.
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ELIZABETH |
In which case...
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Elizabeth lowers her veil again.
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I've wasted your time. And mine.
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She exits.
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LIONEL |
Bloody hell, I buggered that.
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Myrtle enters.
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MYRTLE |
Ready for tea.
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LIONEL |
Hmmm. I smell kedgeree. Had a visit from a lady just now.
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MYRTLE |
I don't wonder. You're so good at what you do.
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LIONEL |
At what I do. 'Twas a lady with a capital L.
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MYRTLE |
Oh. High and mighty. We wouldn't want that, would we, Lionel? Although the money would help get us home. Can't be too careful.
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LIONEL |
She won't be back. I told the spoilt silly I was fully booked. She was disappointed of course.
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MYRTLE |
Of course. Hard to feel sorry for that sort though.
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LIONEL |
I have a call tomorrow. Wish me luck.
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MYRTLE |
Of course, Lionel. Load and loads. |
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[#SOUND: s03-s04-score] [Cue on lights out] |
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SCENE 4
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The King's study, Buckingham Palace. The King and Queen, Bertie and Elizabeth. Footmen set up a microphone. The King is in naval uniform, Bertie in street clothes.
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ELIZABETH |
Will she be here?
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BERTIE |
I suppose.
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ELIZABETH |
Seriously?
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BERTIE |
Seriously, she'll be at dinner.
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ELIZABETH |
Is David serious?
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BERTIE |
About what?
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ELIZABETH |
About her!
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BERTIE |
A married American? Twice divorced? He can't be.
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ELIZABETH |
She can.
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The King calls Bertie to his side.
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KING GEORGE V |
Stride boldly up to the bloody thing! Stare it square in the eye and speak to it as you would to any decent Englishman. Show who is in command.
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BERTIE |
I d-d-don't thu-thu-think I c-c-can.
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KING GEORGE V |
If you don't, this devilish device will change everything. We were bred to be profiles on a coin; all a King had to do was look smart in uniform and not fall off his horse. No one got close enough to hear us speak. Now we must creep, cap in hand into people's homes, that smell of boiled cabbage, and talk nicely to them. We're reduced to that lowest, basest of all creatures... we've become... actors! Don't give me your look of defeated pathos. This is a family crisis!
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BERTIE |
Father, we are not a family, we're a firm.
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KING GEORGE V |
We're the oldest, most successful corporation in the world, and sitting on thrones is our business. But any moment now we may be out of work. Your brother came to us the other day, livid a certain lady has been refused an invitation to my Silver Jubilee. I pointed out she wasn't a lady and most definitely wasn't his wife.
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BERTIE |
What did David say?
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KING GEORGE V |
He said: she makes him sublimely happy. I said: that was undoubtedly because she was sleeping with him. “I give you my word we've never had immoral relations”. “As my son, my heir, as Prince of Wales, do you solemnly swear your friendship with this woman is an absolutely clean one?“ “I do,“ he said. “Look me in the eye,“ I demanded. “On my honour,“ he replied. He stared straight into his father's eyes... and lied.
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BERTIE |
groans
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KING GEORGE V |
When I die, that boy will ruin himself, this family, and this nation, within 12 months. Who'll pick up the pieces? David's friend, Oswald Mosley? His black-shirt British Union of Fascists are marching through the streets of London. Hitler is terrorizing half of Europe, Stalin the other half. Who'll stand between us, the jackboots, and the proletarian abyss? You?
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A red light on the microphone starts blinking.
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BERTIE |
What are you going to say?
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KING GEORGE V |
The usual guff. Rudyard Kipling writes it and my people love to hear me say it. Spoken fluently, of course. You'll have to pull yourself together, son. With your brother bedding his American whore you'll be doing a lot more of this.
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[#>SOUND: mic ON]
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BBC NEWS READER |
Good evening, this is the BBC, broadcasting from Buckingham Palace upon the occasion of the Royal Silver Jubilee. His Majesty: King George the Fifth
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KING GEORGE V |
I can only say to you, my very, very dear people, that the Queen and I thank you from the depths of our hearts for all the loyalty and – may I say so – the love with which this day and always, you have surrounded us.
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Indication that he speaks for a while.
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[#>SOUND: mic OFF]
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BERTIE |
(to Elizabeth) Is this why you're sending me to another bloody charlatan speech therapist? You promised, there'd be no more of them!
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ELIZABETH |
Didn't you hear what your father just said?
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BERTIE |
Why doesn't he understand - I can't do it! You talk to him. He adores you.
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ELIZABETH |
Bertie, this isn't about you and your father. Things are changing, everywhere. We're going to need help. This man might be the one to help you.
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BERTIE |
How many bloody times do I have to hear that? I've seen them all! No one can fix it.
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ELIZABETH |
He might! Please – just try. For both of us.
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BERTIE |
Any port in a storm, eh? |
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[#>SOUND: mic ON]
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King George V is wrapping up.
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KING GEORGE V |
I dedicate myself anew to your service for all the years that may still be given to me.
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[#>SOUND: mic OFF]
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The King steps towards the balcony. Beckoning to the others to join him.
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Come join the fun!
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BERTIE |
They didn't come to see me, father. They came to see you, mother, and David.
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KING GEORGE V |
Pretend.
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[#SOUND: s04-01-clapping-crowd] [Cue on just before “Pretend”, audio plays into lights out] |
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All wave to great applause.
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SCENE 5
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Logue's waiting room
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ELIZABETH |
(whispers) There's no receptionist.
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BERTIE |
Is this really necessary?
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ELIZABETH |
You know perfectly well it is.
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She is obviously concerned that Lionel might come from the toilet again.
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(loudly) The Johnsons.
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LIONEL |
(from offstage) Not finished yet.
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She is obviously relieved that his voice comes from a different room than last time.
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BERTIE |
However did you find this physician?
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ELIZABETH |
Classifieds. Next to 'Saucy model, Shepherd's Market'. He comes highly recommended. Charges a substantial fee in order to offer help to the poor. Oh dear, perhaps he's a Bolshevik!
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BERTIE |
I'm not sure I want to see this fellow.
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ELIZABETH |
I'm not sure, he wants to see you.
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LIONEL |
(from offstage) Just gluing a strut. Mr Johnson, do come in.
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Bertie enters Logue's consultation room. He bumps into a chair, trying to avoid a model air plane.
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LIONEL |
Sorry. My hobby. Make yourself comfortable.
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Logue extends his hand in welcome. Instead of shaking it, Bertie hands him his hat.
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BERTIE |
Please... not too close. Five paces is the rule.
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LIONEL |
Might be difficult in this office.
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Bertie perches on a chair.
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Your wife changed her mind. Why?
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BERTIE |
Can't discuss that.
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LIONEL |
What can we discuss?
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BERTIE |
When speaking with a Royal, the Royal chooses the topic and begins the conversation.
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LIONEL |
You're joking.
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BERTIE |
I admit if one waits for me to start a conversation one can wait a rather long time.
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Silence, as they stare at one another.
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You call this making me comfortable? Aren't you interested in treating me?
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LIONEL |
Only if you're interested in being treated.
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Silence.
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Cuppa tea?
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BERTIE |
No, thank you .
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LIONEL |
Any idea what you're letting yourself in for?
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BERTIE |
A great deal of rudeness, it would appear, Doctor Logue..
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LIONEL |
Lionel.
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BERTIE |
I prefer doctor.
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LIONEL |
I prefer Lionel. My family calls me far worse. What shall I call you?
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BERTIE |
Your Royal Highness.
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LIONEL |
Oh, please.
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BERTIE |
Sir, after that.
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LIONEL |
Much more informal.
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BERTIE |
Prince Albert Frederick Arthur George? I've lots of names to choose from.
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LIONEL |
How about Bertie?
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BERTIE |
Only my family uses that.
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LIONEL |
That's what I'll call you then. We must be true equals.
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BERTIE |
If we were equal, I wouldn't be here, I'd be at home with my family and no one would give a damn.
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Gets out a silver case of cigarettes and starts to take one out.
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LIONEL |
Mustn't do that. Sucking smoke into your lungs will kill you.
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BERTIE |
My physicians says it relaxes the throat.
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LIONEL |
They're idiots.
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BERTIE |
They've all been knighted.
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LIONEL |
Makes it official then. My castle, my rules. What's your earliest memory?
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BERTIE |
Beg your pardon?
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LIONEL |
First recollection?
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BERTIE |
I-I-I'm not here to d-d-discuss p-p-personal m-m-matters.
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LIONEL
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Why are you here then? |
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BERTIE |
(exploding) Because I bloody well stammer!
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LIONEL |
Temper.
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BERTIE |
One of my many faults.
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LIONEL |
Care to enumerate?
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Pause.
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Well then, do you stammer when you think?
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BERTIE |
Don't be ridiculous.
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LIONEL |
Do you stammer when you talk to yourself?
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BERTIE |
I don't talk to myself!
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LIONEL |
Everyone natters to themselves once in a while, Bertie.
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BERTIE |
Stop calling me that!
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LIONEL |
I won't call you anything else.
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BERTIE |
Then we won't speak!
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Pause
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Must I pay for this?
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LIONEL |
Loads. Now... when talking to yourself, do you stammer?
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BERTIE |
Of course not!
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LIONEL |
...proving your impediment isn't a permanent internal fixture.
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BERTIE |
When I give a speech … or speak to anyone other than my wife... I BLOODY WELL STAMMER!!!
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LIONEL |
Bet you a bob you can read flawlessly, right here, right now.
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BERTIE |
You're on.
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LIONEL |
Let's see your shilling.
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BERTIE |
Royals don't carry cash.
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LIONEL |
How convenient.
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Logue gets a shilling out and puts it on the table.
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I'll stake you then. Pay me next time.
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BERTIE |
If there is a next time.
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LIONEL |
True. I haven't agreed to take you on.
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During this Lionel has uncovered a recording device with earphones,
He sets a blank disc onto the turntable and positions a
microphone,
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BERTIE |
I certainly can't read the bard.
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LIONEL
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We have a bet. |
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BERTIE |
(reads stammering badly and getting worse) “To be or not to be, that is the question. Whether it is wiser...“ There!
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Bertie closes the book and reaches for the coin.
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LIONEL |
Not so fast.
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BERTIE |
I can't read.
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LIONEL |
We haven't finished.
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He hands Bertie a pair of padded earphones. Bertie doesn't want to take them.
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A princely bob is at stake.
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[#SOUND: s05-01-ravels-bolero] [Cue on Bertie wearing the headphones. Mute audio manually (no stopping) whenever headphones are taken off, audio is played until end and stops organically] |
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Bertie reluctantly puts them on. Logue turns a dial. Music is heard.
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BERTIE |
You're playing music.
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LIONEL |
I know.
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BERTIE |
How can I hear what I'm saying?
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LIONEL |
Surely, a Royal prince's brain knows what its mouth is doing?
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BERTIE |
You're not well acquainted with Royal princes, are you?
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LIONEL |
I intend to demonstrate that when you can't hear your voice, you don't stammer, thus proving your impediment is not innate.
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BERTIE |
Rubbish.
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Bertie replaces the earphones and starts to read, while Lionel turns the dial, as the volume of music increases, it drowns out Bertie's voice. His lips move, but it's impossible to hear his voice over the music. Finally, he throws the book down, takes off the earphones and reaches for the coin.
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Told you, I can't!
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LIONEL |
(snatching the shilling) Sublime.
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Bertie glares at him.
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Would I lie to a prince of the realm to win twelve pence?
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BERTIE |
I've no idea what an Australian might do for that sort of money.
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He gets ready to leave (coat, hat)
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This is definitely not for me.
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Logue puts the record in a paper dust jacket and hands it to Bertie.
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LIONEL |
Souvenir. Our first and presumably last encounter. HMV. His Master's Voice.
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SCENE 6
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[#SOUND: s06-01-propeller-plane-stops] [Cue Bertie on stage in the dark, audio is played until end] |
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Sound of an air plane engine slowing down is heard. Bertie in a coat is waiting David enters with a dramatic flourish, removing his leather helmet and goggles
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DAVID |
Huh-huh-hello, B-b-bertie. B-b-been waiting luh-lu-long?
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BERTIE |
Three days. Where've you b-b-b...
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DAVID |
Been? I was busy.
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BERTIE |
S-s-so was I. Elizabeth has nuh-nuh-pneumonia.
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DAVID |
She'll recover.
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BERTIE |
Father won't.
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DAVID |
The old bugger's doing this on purpose.
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BERTIE |
D-D-dying?
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DAVID |
Trying, as an act of pure spite, to depart prematurely in order to complicate matters. Wallis explained it. She's terribly clever. Better go see the old sod.
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[#SOUND: s07-01-funeral-bagpipes] [Cue on Bertie and David exit, wait 2 seconds then play, volume to 10 when Lang talks in next scene, audio stops when he reaches Churchill and Baldwin (or naturally)] |
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SCENE 7
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A drum roll is heard. Funereal bagpipes wail.
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LANG |
Whereas it has pleased Almighty God to call to his mercy our late Sovereign, King George the Fifth of blessed and glorious memory, that the High and Mighty Prince Edward Albert Christian George Andrew Patrick David is now our own lawful King.
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The plaintive wail of pipes and ominous drum-rolls grow louder and louder. Then it suddenly stops. Silence. Lang, Churchill and Baldwin move into a pool of light.
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LANG |
Oh, bloody hell.
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CHURCHILL |
A bad omen, Your Grace?
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LANG |
Don't be disingenuous For our late King's crown to fall from his coffin is not a fortuitous portent.
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BALDWIN |
Whatever's going to happen next?
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LANG |
That might well be the motto of the new Reign.
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BALDWIN |
But will there actually be a 'new Reign'?
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CHURCHILL |
Prime Minister, Your Grace... I'm shocked by the implication.
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BALDWIN |
You don't look it. Surely, you must have noticed Winston, even from the backbenches to which you have been exiled, and where you now so splendidly languish, our populace has no objection to Royal fornication, but will never tolerate adultery.
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LANG |
And since we cannot acquire a new populace...
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BALDWIN |
Perhaps we need a new King?
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CHURCHILL |
Now I am doubly shocked.
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BALDWIN |
His Grace isn't.
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LANG |
My function requires me to appear serene at all times.
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BALDWIN |
That may be difficult to maintain.
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CHURCHILL |
The King is our king! You cannot remove him.
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BALDWIN |
But should he refuse to listen to the advice of his government, he may have to remove himself.
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CHURCHILL |
Abdication? Never has that happened in the history of this great land.
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LANG |
Always a first time.
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BALDWIN |
A shocking concept, Winston, but one we might need to accept.
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LANG |
You, more than others, realize we'll soon be under siege from the forces of darkness. Who would you suggest to rally the troops, the nation, the Empire, the world?
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CHURCHILL |
Our rightful King! Would you prefer a man who cannot speak? Hitler mesmerises millions, whilst the Duke of York cannot successfully order fish and chips.
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LANG |
There's always the next in line.
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CHURCHILL |
A bi-sexual former drug-addict? The Church, to say nothing of the moralistic populace, will adore that.
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LANG |
The youngest perhaps?
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BALDWIN |
Ah, now, there's true dimness, unburdened with brain.
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CHURCHILL |
Thus, we're left with David, the born heir, who speaks beautifully, even if he talks nonsense. Come, gentlemen, let us bury one King before you attempt to bring another to his knees
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SCENE 8
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Bertie's study. Night.
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BERTIE |
Father warned me: David would make a mess of things.
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ELIZABETH |
What'll you do?
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BERTIE |
What can I do? I'm not capable of saying or doing anything!
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He notices the recording Logue made and gave him. Wants to smash it, then reconsiders and throws it in a waste paper basket.
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“His Master's Voice“! I don't want this bloody thing!
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ELIZABETH |
Bertie...
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BERTIE |
Want to hear it?
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ELIZABETH |
Not particularly.
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BERTIE |
Well, I think you should. You'll see what a fraud that man was! Telling me I could read flawlessly. Lying bastard!
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He gets the record from the trash and puts it on a Victrola, places the needle on the record, and hears a progressively flawless and flowing rendering
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[#SOUND: s08-01-hamlet-recording-stuck-needle]
[Cue on "flawlessly" when Bertie says "Telling me I could read flawlessly" - then begin, audio is played until end or until lights are out. |
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„To be or not to be, - that is the question: whether 'tis nobler in the mind to suffer The slings and arrows of outrageous fortune, or to take arms against a sea of troubles, And by opposing end them?“
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The needle sticks...
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“,,, sea of troubles, And by opposing end them? ,,, sea of troubles, And by opposing end them? ,,, sea of troubles, And by opposing end them?...“
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… until Bertie lifts it. He and Elizabeth look at each other. Lights.
Roar of a huge crowd is heard, then rising above the roar whipping it into even greater frenzy, we recognize the voice as Hitler's.
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[#SOUND: s08-02-hitler-speech-1] [Cue on lights out, audio is played until end] |
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SCENE 9
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Lionel's Consulting room. Lionel is sitting at his desk, working on a model air plane Doorbell rings. Bertie enters, wearing a black armband.
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BERTIE |
Doctor Logue?
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Lionel lets him in. He's smiling.
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LIONEL |
I didn't expect you here. Sorry about your father.
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BERTIE |
I didn't expect to be here. May I come in?
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LIONEL |
Myrtle wouldn't think that's a good idea.
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BERTIE |
Myrtle? Who's Myrtle?
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LIONEL |
My wife.
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BERTIE |
Myrtle's never met me. I've never met Myrtle. May we discuss this in private?
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Lionel lets him enter.
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BERTIE |
What's your wife got to do with this? Elizabeth doesn't much care for you – you're far too familiar – but here I am.
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LIONEL |
You look dreadful.
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BERTIE |
Exactly the sort of thing you don't say to a Royal.
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LIONEL |
You're not a Royal in this room.
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BERTIE |
Precisely why Elizabeth dislikes you.
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He starts to sit.
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LIONEL |
Not there!
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Too late. Bertie has smashed a model air plane sitting between the cushions.
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Curtis bi-plane, now a Curtis mono-wing.
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BERTIE |
I say, I'm terribly sorry. I'll buy a new one.
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LIONEL |
You don't have any money. I'll fix it. (Pause) So...? I'm sure you didn't come here to talk about our wives.
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Pause.
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BERTIE |
He was propped up in bed, wrapped in his favourite faded Tibetan dressing gown, hooked up to an oxygen tank. He could barely make his mark on the Instruments of Succession.
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LIONEL |
Tea?
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BERTIE |
No, thank you.
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LIONEL |
Whiskey?
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BERTIE |
I was hoping you'd ask.
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LIONEL |
My dad lay rigid, fists clenched angrily at his sides, daring the Reaper: take me, you bastard!
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BERTIE |
What was he angry about?
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LIONEL |
I was a great disappointment.
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BERTIE |
Oh! I thought he might be proud of you.
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LIONEL |
So did I.
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BERTIE |
A man of stature?
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LIONEL |
A brewer.
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BERTIE |
Oh.
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LIONEL |
At least there was...
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BERTIE |
… free beer.
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LIONEL |
Cheers.
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BERTIE |
I was informed, after the fact, my father's last words were: “Bertie has more guts than the rest of his brothers put together.“ (Pause.) Couldn't say that to my face. (Pause.) Father's secretary requested permission to order the coffin. (Pause.) He and Doctor Dawson alerted The Times to hold the morning edition. They didn't want the news delivered by the disputable afternoon press. (Pause.) Then the Archbishop of Canterbury arrived. Uninvited. David wanted to invite him to leave, but the others felt Dr. Lang was too dangerous to cross. Time was running out, if the King didn't depart on schedule, we'd miss the morning edition. Permission was requested for a 'peaceful termination'.
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LIONEL |
It was given?
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Bertie nods.
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By you?
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BERTIE |
I am not the next king.
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Pause.
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Three quarters of a gram of morphia and a gram of cocaine was injected into the distended jugular vein. The nurse objected and was asked to leave. The moment of death was given as 11:55 pm, broadcast at 12:15 am, and, as you saw, made the front page of the London Times perfectly on schedule. Mother took David's hand, and kissed it in homage to the new King. But the look in her eyes.... ghastly.
(Blurts) My bloody brother! That's why I'm here!
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LIONEL |
What's he done?
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BERTIE |
Can't say.
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LIONEL |
Then I guess we're done here.
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BERTIE |
You must understand, I can't puh-puh-puh....
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LIONEL |
Try singing it.
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BERTIE |
Pardon?
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LIONEL |
Know any songs? Another whiskey?
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BERTIE |
Songs? Yes. 'Swanee River'.
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LIONEL |
Very modern.
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BERTIE |
Happens to be my favourite That was yes to the Whiskey.
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LIONEL |
Sing it.
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BERTIE |
Certainly not.
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Picks up model air plane
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May I? I always wanted to build models. Father wouldn't allow it. I had to collect stamps. HE collected stamps.
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LIONEL |
Only if you sing. Goes like this... (Sings) 'Way down upon the ...'
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BERTIE |
I know the words! (Sings) 'Way down upon the Swanee River...' Etcetera.
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LIONEL |
You didn't stammer.
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BERTIE |
Of course, I didn't stammer, I was singing! One doesn't stammer when one sings. (Realization) Oh... Well, I can't waltz around warbling.
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LIONEL |
You can with me.
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BERTIE |
Because you're peculiar.
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LIONEL |
I'll take that as a compliment. Cut some struts from the balsa. Sorry, hard to show you what to do at five paces. You were about to sing an aria concerning your brother.
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BERTIE |
I'm not crooning about David to the tune of 'Swanee River'!
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LIONEL |
Try 'Compton Races' then. (sings) My brother David said to me, doo-dah, doo-dah...“, That sort of thing.
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BERTIE |
(Talk-singing) I can't talk, or sing, about your future King, doo-dah, doo-dah...
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LIONEL |
My future King? He's your future King, too. Did that cause friction? Knowing he'd grow up to be King, but you wouldn't?
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BERTIE |
Certainly not! I've always looked up to David. To tell the truth...
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LIONEL |
Always preferable. (referring to the plane) Cover it with tissue.
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BERTIE |
It was a relief. Knowing I wouldn't be King.
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LIONEL |
Why's that?
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Lionel pours them both another whiskey.
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BERTIE |
I wouldn't have to give speeches!
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Bertie gets out his cigarette case.
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LIONEL |
No smoking! - What's your age difference?
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BERTIE |
18 months.
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LIONEL |
But for 18 months you would've been King?
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BERTIE |
We didn't think about it that way, doctor. (sings) Doo-dah, doo-dah. David and I were very close.
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LIONEL |
As you said: 18 months.
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BERTIE |
As brothers! Young bucks... you know...
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LIONEL |
Did you chase the same girls?
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Bertie is silent.
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Princess Elizabeth?
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BERTIE |
(flares) What an extraordinarily rude thing to say! (quickly regains control) David did try to be her beau at one point. Before I met her. She wouldn't have him. Not like my father... He and his brother, when they were young, kept a girl in St. John's Wood and shared her on alternate nights.
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Uncomfortable silence. He's said too much.
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LIONEL |
Now dope the other wing. Did David tease you?
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BERTIE |
They all did. „Buh-bu-buh-buh-Bertie“. Father encouraged it. „S-s-s-s-spit it out, boy!“ Thought it would make me stop. Is this necessary?
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LIONEL |
Otherwise the paint will eat through the tissue.
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BERTIE |
I meant the damn questions!
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LIONEL |
Mandatory. When did the defect start?
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BERTIE |
I've always been this way.
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LIONEL |
No, you haven't.
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BERTIE |
Don't tell me. It's my defect!
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LIONEL |
It's my field. I assure you, no infant starts to speak with a stammer. When did yours start?
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BERTIE |
(annoyed) Four or five.
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LIONEL |
That's typical.
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BERTIE |
So I've been told. - I can't remember not doing it.
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LIONEL |
That I believe.
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BERTIE |
(stammer growing in intensity) Let's stick to medical history if you don't mind.
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Lionel watches Bertie work on the model.
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LIONEL |
Are you naturally right-handed?
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BERTIE |
I am naturally left-handed. That was unacceptable.
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LIONEL |
And?
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BERTIE |
I was punished. Now I'm right-handed.
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LIONEL |
What else?
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BERTIE |
Bandy legs. (Pause) Metal splints were made … worn night and day... quite painful. Now I have straight legs.
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LIONEL |
Anything else I should know about your storybook childhood? Medically?
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BERTIE |
My first nanny was mentally disturbed. When presenting me for daily parental viewings, she'd p-p-p-p-p-p- (sings) '...pinch me so I'd cry and be sent back to her at once...' (speaks) … upon the Swanee river. She didn't feed me so I'd cry more easily. It took three years for my parents to notice. I still have recurring gastric problems.
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LIONEL |
Any serious maladies in the immediate family?
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BERTIE |
My fourth brother … You didn't know? Johnnie. Sweet boy. Died aged 14, hidden from view. Epilepsy was the official diagnosis, In truth he was … „special“. I don't believe it's catching.
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LIONEL |
Nor is stuttering.
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BERTIE |
Purely my fault, is it?
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LIONEL |
Care to accept responsibility?
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Bertie looks at him, stunned.
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There's nothing physically wrong with you.
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BERTIE |
(Irritated) It's all mental? Well, there's no fixing that! Mad King George all over again, (stops) Oh, this is so... tawdry! I need your services as a Speech Therapist, not Grand Inquisitor. Are you available, or will it be: 'Myrtle says no'?
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LIONEL |
You're angry.
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BERTIE |
I told you, I have a temper.
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LIONEL |
Angry at me or at your brother?
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Stubborn silence.
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BERTIE |
(Blurts out) He's fallen in love!
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LIONEL |
It happens.
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BERTIE |
With the wrong sort of woman!
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LIONEL |
What's the matter with her?
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BERTIE |
She's American.
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LIONEL |
Some of them must be lovable.
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BERTIE |
This one's been married. Twice. Mrs. Wallis Simpson of Baltimore. I want David to be happy, but the family, the Church, the entire nation... They won't have it.
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LIONEL |
Can't the happy couple fornicate privately like adults?
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BERTIE |
If only! David used to prefer married women because there was no possible attachment. But now...
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LIONEL |
'Queen Wallis of Baltimore'?
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BERTIE |
Please.
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LIONEL |
Does sound a bit iffy.
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BERTIE |
I made a smudge!
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LIONEL |
Touch it up.
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BERTIE |
Will you or won't you help me? Or do you want me to beg?
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LIONEL |
Never beg. Especially if you might be King.
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BERTIE |
Don't ever say that!
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LIONEL |
For reasons you cannot disclose, fearing ramifications you will not explain, you feel sufficiently anxious to embark upon a course of therapy in which you have no faith?
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Bertie takes a coin out of his pocket.
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BERTIE |
Your shilling. You won it fair and square. I'll pay you generously.
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Lionel pockets the coin.
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LIONEL
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I'll continue to ask questions. |
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BERTIE |
That's what I'm afraid of.
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LIONEL |
(of the plane) Nice job. I'll finish it off.
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He glances at his watch.
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BERTIE |
You've someone waiting?
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LIONEL |
I do now.
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BERTIE |
I'd apologize to them in person, but...
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LIONEL |
You don't wish to be seen? Slip out the back way.
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BERTIE |
It may become increasingly difficult to remain unobserved.
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LIONEL |
(writes down an address) We live in South Kensington, small apartment, no one will notice you. And, lots of planes.
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BERTIE |
You know, Lionel, you're the first ordinary Englishman...
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LIONEL |
Australian.
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BERTIE |
… I've ever really talked to. Sometimes when I ride through the streets and see a 'bloke', the 'common man', I'm struck by how little I know of his life, and how little he knows of mine.
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As Bertie is about to leave...
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LIONEL |
And bring the duchess. She might be helpful.
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BERTIE |
(on the way out) How will Myrtle take that?
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LIONEL |
She'll be at work. Saving for tickets. Wants us to return home.
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BERTIE |
(truly worried) You're not going?
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LIONEL |
(beat) No.
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Bertie smiles in relief. Exits.
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LIONEL |
Sorry, Myrtle, dear.
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Lionel exits. Lights go down. There's a small light. We again hear A Nazi rally with chants of “Sieg Heil“, then another Hitler speech. |
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[#SOUND: s09-01-hitler-speech-2] [Cue when Churchill and Baldwin are seated on chairs in the dark, ends on "Turn that devil off" or ends normally] |
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SCENE 10
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Gradually, the lights come up and reveal that the light we first saw is the illuminated dial of a radio, listened to by Churchill and Baldwin.
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CHURCHILL |
Listen to him.
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BALDWIN |
Listen to THEM.
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CURCHILL |
Turn that devil off!
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Baldwin turns the radio off.
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If only one could do so in real life.
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BALDWIN |
Chamberlain thinks Chancellor Hitler can be talked to.
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CHURCHILL |
Neville is an old woman.
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BALDWIN |
That's the direction it's going, Winston. You're out of step.
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CHURCHILL |
We'll see who trips and falls.
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BALDWIN |
I've asked you here because you seem to be the only sensible member of the King's camp.
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CHURCHILL |
Nice of you to say, Stanley.
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BALDWIN |
Is he willing to be reasonable?
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CHURCHILL |
Depends on what's considered reasonable.
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BALDWIN |
Has he seen the light?
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CHURCHILL |
He has. Our monarch basks in the luminescence of a celestial orb. Her name is 'Wally'.
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They exit.
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SCENE 11
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Lionel's apartment. Elizabeth waits in the parlour while Lionel works with Bertie in the study.
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BERTIE |
'Let's go gathering hearty heather with the gay brigade of grand dragoons.'
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LIONEL |
Here's another: 'She sifted seven thick-stalked thistles through strong thick sieves.' 25 times, in rapid succession.
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BERTIE |
You realize those are my hardest sounds?
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LIONEL |
Shall we make use of your good wife?
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They join Elizabeth.
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Nice of you to come.
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ELIZABETH |
What exactly is my function here?
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LIONEL |
To pitch in.
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ELIZABETH |
Oh, dear. I may not be the 'pitch in' type.
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LIONEL |
Piece of cake.
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Opens window.
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Your husband will shout the vowel sounds, all five of them, as loudly as possible.
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ELIZABETH |
No, he won't.
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LIONEL |
(ignoring her) Each to last no less than 15 seconds. (to Bertie) There's poor coordination between larynx and diaphragm. (to Elizabeth) You can be the official timer.
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ELIZABETH |
Vowel sounds? Shouted at an open window? On a public street?
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LIONEL |
Anyone who can stand vibrating loudly in full view of the world can learn to give a public speech.
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ELIZABETH |
They can also be considered quite dotty. Bertie, don't even contemplate it!
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BERTIE |
Sorry, dear, doctor's orders. Aaaaaaaaaaaaaa...
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Bertie looks at Elizabeth expectantly. She realizes, she hasn't been timing this, and quickly looks at her watch.
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...aaaaaaaaa...
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Elizabeth nods. Bertie moves on to...
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Eeeeeeeeeeeeee..... (Stops) You' re right, my detectives on the street are staring up at me.
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LIONEL |
You're followed here?
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BERTIE |
Royal scrutiny, doctor, best get used to it.
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LIONEL |
Well, then, let's try something else. Please assume a supine position on the floor.
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ELIZABETH |
On the floor?
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LIONEL |
Firm support is needed.
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Bertie does as instructed.
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Breathe deeply... expand your chest... now your stomach... deep into the diaphragm. How do you feel?
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BERTIE |
Full of hot air.
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LIONEL |
Then you're well on your way to becoming a political speaker... Again... and hold. Now, Princess Elizabeth, be so kind as to sit on your husband's stomach.
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ELIZABETH |
Excuse me?
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LIONEL |
Gently, of course.
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ELIZABETH |
Good grief.
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She gingerly sits on Bertie's stomach, asking solicitously
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Are you alright, Bertie?
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Bertie nods.
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LIONEL |
Now exhale slowly.... down goes Princess Elizabeth... inhale slowly... nothing rushed, expanding your chest fully, extending the column of air till it hits the diaphragm... and... up comes Princess Elizabeth.
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Myrtle has entered quietly and watches in shock.
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LIONEL |
Exhale slowly.... down goes Princess Elizabeth... inhale... up comes Princess Elizabeth. You get the idea. Doesn't have to be Princess Elizabeth, of course, but I thought you'd prefer your wife to one of the staff...
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He realizes his wife has been watching
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Myrtle, darling. Wasn't expecting you for hours. I don't believe you've met their Royal Highnesses, the Duke and Duchess of York?
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Elizabeth rises from her husband's stomach. Bertie scrambles to his feet.
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BERTIE |
I must wash my hands. Would you show me the facilities?
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LIONEL |
Of course.
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The two men beat a hasty retreat.
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MYRTLE |
Milady?
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ELIZABETH |
'Your Royal Highness', the first time. After that 'Ma'am'. Not Malm as in palm... Mam as in ham. I'm informed your husband calls my husband Bertie, and my husband calls your husband Lionel I trust, however, you'll not call me Liz.
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The men are listening at the door.
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BERTIE |
How are they getting on?
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LIONEL |
As to be expected
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MYRTLE |
In that case you may call me “Madam Logue“.
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Stalemate.
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BERTIE |
We stay here, hiding?
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LIONEL |
I'm jolly well not going out there.
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BERTIE |
We're being cowards.
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LIONEL |
We're being sensible men.
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BERTIE |
You really should.
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LIONEL |
Me? YOU!
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BERTIE |
Why me?
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LIONEL |
You're the Royal.
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BERTIE |
Your castle. In you go.
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Lionel goes back into the other room, Bertie follows.
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LIONEL |
Such a pleasant suprise, eh, Myrtle, dearest?
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MYRTLE |
Will the Yorks be staying for tea?
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Lionel and Bertie are panic-stricken.
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ELIZABETH |
Such a pity, we have a previous engagement.
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LIONEL |
Some other time, love. (to the Yorks) So glad you had a chance to meet Myrtle.
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SCENE 12
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Silence
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LIONEL |
You're not talking?
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MYRTLE |
You wish me to speak my mind? Fine. I arrive home to find a Royal Princess in my parlour.
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LIONEL |
A Duchess.
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MYRTLE |
Lionel, don't quibble!
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LIONEL |
What'd you think of her?
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MYRTLE |
Does it matter? She's a Princess, for God's sake! And he's the King's son!
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LIONEL |
The late King's son.
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MYRTLE |
Lionel! The King's brother! And I find them in my home!
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LIONEL |
Better than burglars. Why were you so early?
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MYRTLE |
Lionel...
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LIONEL |
They came for help.
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MYRTLE |
Who's helping us? What role are you auditioning for now? Royal saviour? This'll bring you down, Lionel! You know it will.
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LIONEL |
When that poor chap first walked into my office, he was a slim, quiet man with tired eyes and all the signs of having given up hope. You saw him today.
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MYRTLE |
You're not listening to me!
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She starts busying herself with household chores.
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LIONEL |
Myrtle, I love you.
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MYRTLE |
You say that, but you don't listen when I say, in so many ways, how desperately I want to go home. How I never, ever intended to stay and be treated as a second class citizen, a colonial.. We're not accepted here, Lionel, never will be. You know that. Always jokes about our 'funny accent'. Well mine. Not yours. This was to be a holiday trip to see 'Mother England'. SO exciting, a grand adventure – I loved it. But what happened, Lionel? We went to Wembley Stadium. Next thing, you'd cashed in our tickets home. (realization) Oh my God! He spoke that day!
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LIONEL |
You turned to me and said...
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MYRTLE |
'Lionel, you could help that poor man...'
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LIONEL |
'He's too old for me to manage a complete cure, but I could very nearly do it, I'm sure.'
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MYRTLE |
Is that why we stayed?
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LIONEL |
No. I wanted to act. But when he walked through my door . How could I say no?
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MYRTLE |
You couldn't tell your wife?
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LIONEL |
I knew you'd fret.
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MYRTLE |
For good reason. You kept it secret, Lionel, because if you were treating the Duke of York – I'd know you were never going home.
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LIONEL |
Imagine yourself as a child terrified of your own parents, because every time you speak you disappoint them. Teased. Unable to share a joke with friends. No friends, actually. Unable to answer in class, so you're considered dim and ranked last. Trapped in a body that refuses to obey your commands. Myrtle, let me do what I can. Then...
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Silence
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MYRTLE |
Then what, Lionel?
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LIONEL |
Home.
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MYRTLE |
(after a pause) Very well, Lionel. I will, as always, be supportive of your endeavours.
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LIONEL |
I don't deserve a wonderful woman like you.
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MYRTLE |
How right you are.
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LIONEL |
But – why did you come home so early?
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MYRTLE |
I was let go. Inquiries were made. Scotland Yard.
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LIONEL |
What??? |
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MYRTLE |
Asking what sort of person I was. I warned you this would happen! When they left, Mr. Falkoff said he couldn't afford this sort of thing going on in his store, bad for business. He was frightened, Lionel. Can't blame him. I'm frightened, too.
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They exit.
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SCENE 13
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[#SOUND: s13-01-crowd-bertie-sits] [Cue on lights on, audio is faded out as David enters] |
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Coronation Committee Conference room. The audience is the committee.
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DAVID |
All gathered? Ready to discuss my coronation? Be with you shortly. (goes over to Bertie) Hear you're taking elocution lessons, lad.
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BERTIE |
Pardon?
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DAVID |
Diction. Speechifying. That's the 'scoop' around town. Smashing American expression.
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BERTIE |
Trying to overcome my terrible impediment...
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DAVID |
(overriding) I'm the brother who speaks. Or do you wish to shoulder that task?
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BERTIE |
Good Lord, no! I merely hope to...
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DAVID |
Replace me? Young brother trying to push older brother off throne... Positively medieval.
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|
He thrusts a document into Bertie's hands.
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DAVID |
You may read the Coronation Plans to the Committee.
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BERTIE |
(whispers urgently) I'm not prepared!
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DAVID |
(whispers back) As a boy scout – and you are one, aren't you? Very much a boy scout – you must always be prepared. Make sure it's nice and loud, so everyone can hear.
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In terror, Bertie turns to the audience.
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BERTIE |
I – uh – I – uhm - I thu-thu-think we should tu-tu-tu-table the document.
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He tries to hand it back to David, but he doesn't take it.
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DAVID |
Be sure to tell them how Mrs. Simpson is to be accommodated in a special alcove above the altar. See you at Balmoral this weekend, Buh-buh-Bertie.
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[#SOUND: s13-02-crowd-david-storms-off] [Cue on David exit, Bertie stares at the crowd, wait for 3 seconds then stop] |
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David exits. Bertie stands frozen while the set changes.
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SCENE 14
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Lionel's study. Bertie stands as before, Lionel approaches.
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LIONEL |
You could have said no.
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BERTIE |
I couldn't say anything.
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LIONEL |
You seldom stammer with me any more.
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BERTIE |
Because you're paid to listen!
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LIONEL |
Like a geisha girl? Know any rude words?
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BERTIE |
What a bloody stupid question! There – I just said one: 'Bloody'. Bloodybloodybloody!
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LIONEL
|
Perhaps something a touch more vulgar?
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BERTIE |
Certainly not.
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LIONEL |
To prove you know how.
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BERTIE |
I know how. Bugger!
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LIONEL |
A public school prig could do better than you.
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BERTIE |
Well, bloody bugger to you, you beastly bastard!
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LIONEL |
Perhaps you're trying too hard.
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BERTIE |
Shit then. Shit, shit, shit!
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LIONEL |
Ah! See how defecation flows trippingly from the tongue? You don't stammer when you swear.
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BERTIE |
Because I'm angry!
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LIONEL |
You should get angry more often. Do you know the f-word?
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BERTIE |
Fornication? (at Lionel's mocking look) Fuck. Fuck, fuck, fuck!
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LIONEL |
Bravissimo! Now a resounding chorus of...
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BERTIE |
Bloody, bloody, bloody! Shit, shit, shit! Bugger, bugger, bugger! Fuck, fuck, fuck!
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A pounding on the wall.
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(whispers) This is your fault!
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LIONEL |
Sorry, pet! Won't happen again!
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MYRTLE |
(offstage) I should hope not!
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BERTIE |
(laughing) Apologies, Mrs. Logue.
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LIONEL |
First time I've heard you laugh.
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BERTIE |
Royals aren't allowed. No emotions. Not in public.
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Lionel doesn't react.
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|
What do you want me to do? Stage my next public appearance as an obscene operetta?
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LIONEL |
Your next public appearance will be well rehearsed. You could be as good as David.
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|
Lionel reaches out to give Bertie a supportive pat on the shoulder. Bertie pulls back in offended shock. All the warning signals installed in him go off.
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BERTIE |
Don't take liberties!
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LIONEL |
I just think you could be even better than David.
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BERTIE |
Don't say such a thing. I've heard the whisperings of the lurking shadows. Courtiers and peers – the whole panoply of a class which once ruled the nation. Which once ruled the world! Afraid of losing their last vestige of privilege if the monarchy is further debased. They'd throw me to the wolves if they thought it would save their skins.
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LIONEL |
Your wife sought me out.
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BERTIE |
Because, poor deluded woman, she believes in me.
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LIONEL |
If you don't share that belief why come here?
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BERTIE |
I ask myself that very question. Don't push me, Doctor Logue.
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LIONEL |
Lionel.
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BERTIE |
I came here because I was taught from childhood to serve a purpose, and that purpose is to serve. Duty is our sole justification for privilege. I was under the illusion you might help me perform that function.
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LIONEL |
They say a King can do no wrong.
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BERTIE |
He can bugger things up! And I am not the King. I'll do anything within my grasp to keep my brother on the throne.
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LIONEL |
Does that include debasing yourself?
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BERTIE |
If necessary!
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LIONEL |
Your brother knew by giving you a document without warning...
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BERTIE |
Are you saying he wanted me to fail?
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LIONEL |
Are you insisting he didn't? In the future, we can parse any speech into manageable phrases. You can sing them, swear them, and rehearse them until you get the rhythm and flow. That, combined with your growing confidence...
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BERTIE |
Growing confidence? Growing dread! You're a wicked man, Logue, you're trying to get me to thrust myself forward as an alternative to my brother.
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LIONEL |
No!
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BERTIE |
Trying to get me to commit treason!
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LIONEL |
Trying to get you to realize you need not be governed by fear. If necessary, you could be King.
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BERTIE |
That's bordering on treason!
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LIONEL |
I'm just saying you COULD be King.
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BERTIE |
That IS treason! I've had enough!
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LIONEL |
What are you afraid of?
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BERTIE |
Your poisonous words!
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LIONEL |
Why'd you show up then? To take polite elocution lessons so you can chit-chat at posh tea parties?
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BERTIE |
How dare you! I'm the brother of a King – the son of a King. You presume to instruct me how to behave? A jumped-up jackeroo from the outback? The disappointing son of an embittered brewer! You're a monster, Doctor Logue. And these sessions are over!
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|
He storms off. Lights CURTAIN. |
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[#SOUND: s14-closing] [Cue on lights off] |
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INTERMISSION
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SCENE 15
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[#SOUND: s15-01-ball-crowd] [Cue on lights on, before curtains open, lower volume gradually so audio is faded out before Churchill talks] |
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House lights dim. Ballroom, Balmoral. Offstage jazz is heard. David and Wallis Simpson are dancing, both dressed to the t's. Churchill and the Archbishop are off to one side.
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CHURCHILL |
Five hundred year old oaks! And the hill they stand on. Removed to improve the view!!
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LANG |
However does she do it?
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CHURCHILL |
Erotic sexual techniques. Learned in Shanghai.
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LANG |
You've the devil in you today, Winston.
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CHURCHILL |
If anyone should know about that, it would be you, Your Grace.
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LANG |
Did you know His Majesty has trouble with his glands?
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CHURCHILL |
I'd not appreciated Your Grace was so well versed concerning things testicular.
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LANG |
I shepherd my flock in all matters, Winston, including multiplication. The Royal genitalia were severely damaged by the measles. Apparently, it affects the quality, although not the quantity of HM's endeavours. |
|
Bertie and Elizabeth have entered.
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BERTIE |
We must try to be pleasant.
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ELIZABETH |
Your father not dead six months, and That Woman throws ' A house potty'. P-O-T-T-Y. She's sleeping in your mother's bedroom. And I know perfectly well, she calls me 'the Dowdy Duchess', and 'the Fat Scottish Cook'.
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BERTIE |
Don't know why. You seldom cook.
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|
They share a laugh.
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CHURCHILL |
Has it occurred to you, as it has just occurred to me, that a Monarch with a gland problem, who realizes he cannot produce issue, might not wish to be King...? Knowing his lack of issue may well become a major issue indeed..
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LANG |
A dazzling concept... beautifully phrased.
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FOOTMAN |
Their Royal Highnesses the Duke and Duchess of York.
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|
Wallis sweeps forward to greet them, Elizabeth sails past, announcing
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ELIZABETH |
I came at the invitation of the King.
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|
David bows formally, Elizabeth curtsies in return. Wallis returns to David.
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WALLIS |
Did you see that woman ignoring me? She snubbed me in front of everybody when I am hosting this party!
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DAVID |
Who did?
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WALLIS |
That fat Scottish cook. Your sister in law. I don't believe this! What are you going to do? David, you can't let her get away with that!
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DAVID |
Darling, don't let her get to you. She'll sing a different tune once we're married and you are the Queen, I can assure you.
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WALLIS |
Yeah, if I'm ever going to be queen. So you're not going to confront her? Great. Well, if you're not going to defend my honour, at least get me another glass of champagne.
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DAVID |
(looking around) There should be someone with a whole tray of champagne somewhere.
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WALLIS |
Is it too much to ask you to find me a glass of champagne? When I've just been insulted by your family? Really, David, sometimes I wonder why I even bother.
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DAVID |
I am on my way to get you what you desire, my darling.
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|
He exits.
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LANG |
It's not just because she's American. Your mother was American. According to a church member, highly ranked in Scotland Yard, His Majesty does not possess exclusive rights to Mrs. Simpson's sexual favours, sharing them with a married used car salesman, a certain Mr. Guy Trundle, as well as the Duke of Leinster.
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CHURCHILL |
One of David's closest companions!?
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LANG |
Closer than he suspects. In addition, and this is more serious, Hitler's ambassador, Count von Ribbentrop, sends her 17 carnations every day … one for each time they've slept together.
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CHURCHILL |
Good Lord, we must see to it this Empress of the Night does not become Queen of England!
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LANG |
Vividly put.
|
|
Churchill has spotted Elizabeth standing alone.
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CHURCHILL |
Allow me to test new waters.
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|
He crosses to Elizabeth.
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ELIZABETH |
Winston, I needn't be told I behaved badly.
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CHURCHILL |
On the contrary, Ma'am. Court etiquette decrees royalty must be greeted by the official host. In this case: the King. You behaved impeccably. As always. (referring to a painting) A relative?
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ELIZABETH |
Distant.
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CHURCHILL |
(referring to the painting) You're aware, of course, the wife of George IV, Mrs. Fitzherbert, was very common indeed... and previously married. She signed an agreement that she could never become queen, and their children could not be royal. A most sensible morganatic arrangement.
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ELIZABETH |
That was a very, very long time ago, and you're stirring with a rather large spoon. Keep in mind, I'm also a distant relative of Lady Macbeth. |
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CHURCHILL |
I would disremember at my peril.
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|
He exits, as David enters, struggling to open a champagne bottle, followed by Bertie, determined to catch up.
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BERTIE |
David...
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DAVID |
(affecting an American accent) Wally wants more champagne. I have to fetch it. She prefers that.
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BERTIE |
Been trying to see you...
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DAVID |
Been terribly busy.
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BERTIE |
Doing what?
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DAVID |
Kinging.
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BERTIE |
Where did you get that American accent? David.... Father's not dead six months, yet you've put Mrs. Simpson in the suite used by our mother?
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DAVID |
Mama's not still in the bed, is she?
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BERTIE |
That isn't funny!
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DAVID |
Sssssssorry, d-d-d-dear boy!
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|
BERTIE |
Please. No more of that.
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|
A moment of silence, then David backs down, sort of.
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DAVID |
Didn't realize you cared.
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BERTIE |
This could end in disaster.
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DAVID |
This will end splendidly. With Wallis as my wife.
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BERTIE
|
David! She's already Ernest Simpson's wife! |
|
DAVID |
Not much longer. “The Unimportance of Being Ernest“
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BERTIE |
DIVORCE?!
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|
DAVID |
Thought you'd been told. Over-sight. Soon she'll be free - and Kings do marry.
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BERTIE |
Not a double divorcee.
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|
DAVID |
Haven't I any rights?
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BERTIE |
Many privileges...
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DAVID |
Not the same thing. Your beloved Common Man may marry for love. Why not me?
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BERTIE |
If you were the Common Man, on what basis could you possibly claim to be King?
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|
DAVID |
Sounds like you've studied out wretched constitution.
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BERTIE |
Sounds like you haven't.
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|
DAVID |
Don't be dreary. What's the point of being King if you can't have your way?
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|
BERTIE |
Whatever will she call herself?
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|
DAVID |
Queen of England, I suspect. Empress of India. The whole bag of tricks.
|
|
BERTIE |
David! The upper classes are terrified anything which clouds the monarchy makes their situation more dangerous. Hunger marchers are singing the 'Red Flag' in front of Westminster... demanding a republic...
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|
DAVID |
Herr Hitler could sort that lot out.
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BERTIE |
Who'd sort out Hitler?
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|
DAVID |
He's much maligned. By the Jews, according to Wallis. And she's awfully clever about politics.
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|
BERTIE |
David, we're a German family. We must distance ourselves from this monster!
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|
DAVID |
Don't be so predictable. The German people are far better off under Hitler. No Jews, no Communists. That's why everyone backs down when it comes to the Führer. Just as everyone will back down concerning Wally and myself. It's an act of will, Wallis says. You'll see, it'll be a ducky Coronation. (spots Wallis) There she is. Isn't she wonderful?
|
|
He strides off to join her, leaving Bertie to rally distraught.. |
|
|
|
|
|
[#SOUND: s15-s16-score] [Cue on lights out] |
|
|
SCENE 16
|
|
|
At the Logues'.
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|
|
MYRTLE |
How'd it go this time, Lionel?
|
|
Lionel takes two small folders from his jacket pocket and hands them to her, she looks at them.
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|
|
MYRTLE |
Tickets??? HOME????
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|
LIONEL |
First class. Nothing to keep me here now.
|
|
Pause.
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|
|
MYRTLE |
What about your other clients?
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|
LIONEL |
They can be referred.
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|
MYRTLE |
What'll you do when we get home
|
|
LIONEL |
Try not to act the toff. Teach perhaps.
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MYRTLE |
You could still act.
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|
LIONEL |
Good enough for Perth, but not the UK?
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|
MYRTLE |
You gave it a try, Lionel.
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|
LIONEL |
Yes, I had a go. Thanks to your patience. I just bloody well wasn't good enough.
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|
MYRTLE |
(studying the tickets) Oh, Lionel, this must've cost you. |
|
SCENE 17
|
|
|
Baldwin and Bertie at Downing Street.
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|
|
BALDWIN |
Your brother's scandal has weakened my position considerably. I intend to resign in the near future.
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|
BERTIE |
I'm truly sorry.
|
|
BALDWIN |
I don't think David is. Neville Chamberlain will take my place. But if your brother continues to ignore the advice of His Government, Chamberlain, too, will have no choice but to resign. Labour has, quite decently, pledged not to step into the breach. (pause) That leaves Churchill.
|
|
BERTIE |
Would he?
|
|
BALDWIN |
He might.
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|
BERTIE
|
Surely his proposal of a morganatic marriage could prevent this entire catastrophe from happening?
|
|
BALDWIN |
His suggestion has been put to the Dominion Prime Ministers. After all, His Majesty is their King too.
|
|
BERTIE |
And?
|
|
BALDWIN |
Australia: 'No'. When informed, your brother felt there weren't enough people in Australia to worry about. Canada: negative. Union of South Africa: 'an inappropriate marriage would create a permanent wound' The Irish Free State: states it is not really their affair, and, bluntly, our English King may marry any whore he wishes. Your brother's comment was: “Bloody Irish.“ New Zealand – New Zealand wavers.
|
|
BERTIE |
Good old Kiwis!
|
|
BALDWIN |
Being remote, they've not heard of Mrs. Simpson and wonder who she might be. Hardly a winning hand...
|
|
BERTIE |
Can't they understand? He's in love...
|
|
BALDWIN |
This is not about love. This is about who's in charge. Does the King do what he wants, or does he do what his people expect him to do? Does a King own his nation, or does the nation own their Monarch?
|
|
BERTIE |
(heart-broken) He won't budge.
|
|
BALDWIN |
Nor will we.
|
|
|
|
|
SCENE 18
|
|
|
York House, night. Churchill is inspecting a newly built air plane model. Bertie enters.
|
|
|
CHURCHILL |
Maybe a battleship next? We'll need them. Good of you to see me at this hour. (takes a note from his pocket) David's message to the Nation: 'I am now free to tell you how I was jockeyed out of the throne.'
|
|
BERTIE |
Good Lord! My brother wrote that?
|
|
CHURCHILL |
Wallis wrote it for him. I'll burn it. I fear your brother is like the child in a fairy story, granted everything by the Gods, but they forgot his soul.
|
|
BERTIE |
I thought you were in his camp?
|
|
CHURCHILL |
I was. Till I realized he was quite willing to bring his nation to the brink of civil war just as we face global conflict.
|
|
BERTIE |
We're not coming to that, are we?
|
|
CHURCHILL |
Oh, there will be war alright. (takes out another piece of paper) Your brother has held conversations with your cousin, the Duke of Saxe-Coburg, a ranking member of the Nazi party. I have here the Scotland Yard intercept: 'Who is King here? Baldwin or I? I myself wish to talk with Hitler, and will do so, here or in Germany.' I doubt England is ready to return to absolute monarchy.
|
|
BERTIE |
Surely his motives are misunderstood?
|
|
CHURCHILL |
Here's what he has to say on the subject: 'If I don't get my way, when the war comes, Hitler will crush everyone, including the Americans. The British may not want me as their King, but I'll soon be back as their leader.' Which is the English word for Führer. His intent seems clear.
|
|
BERTIE |
I beg you, don't take him seriously! You know better than others, that changing horses in midstream is a perilous manoeuvrer!
|
|
CHURCHILL |
Depends on how badly the horse you're on stumbles. Mugs for his cancelled coronation will soon be on clearance sale for tuppence.
|
|
BERTIE |
Winston, it's not too late, you could form a government on his behalf.
|
|
CHURCHILL |
Could. (beat) I'd like to. (beat) But I must decline, reluctantly. (starts to go, then turns turns around) I've written a new speech for him.
|
|
BERTIE |
I don't want to hear it. Ever!
|
|
CHURCHILL |
It has a rather nice turn of phrase.
|
|
Churchill reads the speech
|
|
|
|
|
|
SCENE 19
|
|
|
Lionel and Myrtle are packing. The radio is on. They stop when this announcement comes on.
|
|
|
[#>SOUND: mic ON]
|
|
|
DAVID |
(radio) 'I have found it impossible to carry the heavy burden of responsibility and to discharge my duties as King as I would wish to do without the help and support of the woman I love.'
|
|
[#>SOUND: mic OFF]
|
|
|
LIONEL |
I, too, 'married the woman I love'.
|
|
MYRTLE |
You married a shop girl. I'm very ordinary.
|
|
LIONEL |
That's why we're suited. I'm just an ordinary bloke.
|
|
MYRTLE |
Lionel, you're a man with big dreams. Mine are so very small. A job, a home. That's all I've ever wanted.
|
|
LIONEL |
Me too.
|
|
MYRTLE |
Is that why, every day, you've spent hours with a man who's about to become King?
|
|
LIONEL |
That relationship is now past tense.
|
|
MYRTLE |
Yet that's what you wanted.
|
|
LIONEL |
I wanted to be a great actor. That's what I really wanted.
|
|
MYRTLE |
And failing that...
|
|
LIONEL |
I certainly failed!
|
|
MYRTLE |
A great healer? Always 'great'... where does a shop girl fit in?
|
|
LIONEL |
Very snugly, into my heart. Always have, always will.
|
|
MYRTLE |
Trouble is, Lionel, when you say that, I still believe it.
|
|
LIONEL |
We'll be happy back at home. I'm sure we will.
|
|
|
|
|
SCENE 20
|
|
|
[#>SOUND: mic ON]
|
|
|
Accession Council. Bertie in full State Regalia addresses the audience directly. All symptoms of his stutter are on full display. It is a terrible performance.
|
|
|
BERTIE |
My Lords, members of the Accession Council, I meet you today in circumstances which are without parallel in the history of our country. With my wife and helpmeet by my side, I hope that time will be allowed me to make amends for what has happened.
|
|
[#>SOUND: mic OFF]
|
|
|
|
|
|
SCENE 21
|
|
|
York House. Bertie is in the process of taking off his fancy clothes while talking to Elizabeth
|
|
|
BERTIE |
I don't want to lose you.
|
|
ELIZABETH |
How could you possibly?
|
|
BERTIE |
By becoming what we both dread most.
|
|
ELIZABETH |
Dear, dear man. I refused your first two marriage proposals because, as much as I loved you, I couldn't abide the thought of living in the Royal gilded cage. Then I realized... you stuttered so beautifully... they'd leave you alone.
|
|
BERTIE |
I won because I stuttered?
|
|
ELIZABETH |
If I must be Queen, I will try to be a good Queen. The wife of a very great King indeed. (beat) You know what you must do.
|
|
They exit.
|
|
|
|
|
|
SCENE 22
|
|
|
Lionel is still packing. The doorbell rings.
|
|
|
LIONEL |
(annoyed) No appointments today! Bugger off!
|
|
Door opens, Bertie enters. The two stare at each other.
|
|
|
|
Mr. Johnson, is it?
|
|
BERTIE |
Want me to beg?
|
|
LIONEL |
I told you: Kings don't beg.
|
|
BERTIE |
I believe this time a bit of grovelling might be required. (gathering resolve) I was frightened and took refuge in being 'Royal'. What I said was unforgivable. And...
|
|
LIONEL |
And -?
|
|
BERTIE |
(blurts out) What's the one essential thing a King must do? He must believe he is King. How can I possibly do that? For pity's sake, Lionel, I beg you: get me through. I'll pay you another shilling.
|
|
LIONEL |
What are friends for?
|
|
BERTIE |
I wouldn't know
|
|
He bows and exits. Lionel joins Myrtle who is still packing.
|
|
|
MYRTLE |
I got most of it sorted.
|
|
She realizes something is off and turns around. She knows immediately what Lionel is going to tell her. It silences her.
|
|
|
LIONEL |
He asked me.
|
|
MYRTLE |
(beat, softly) So did I.
|
|
LIONEL |
He's the King.
|
|
MYRTLE |
I know who he is. (beat) Does he know who I am? Do you? (beat) You're the King's speech therapist now. That's a job for life. We'll never go home.
|
|
LIONEL |
When I'm with you, I'm home. (beat) I know what I'm asking. Please, Myrtle, make your home with me.
|
|
He embraces her. She yields.
|
|
|
[#SOUND: s22-s23-score] [Cue on lights out] |
|
|
SCENE 23
|
|
Westminster Abbey. The chair of Edward the Confessor. The Archbishop and Churchill are celebrating their success.
|
|
|
[#>SOUND: mic OFF, reverb ON]
|
|
|
CHURCHILL |
To our new King!
|
|
LANG |
Let's sincerely hope.
|
|
CHURCHILL |
Can a pause be slightly pregnant?
|
|
LANG |
Winston, do you read the newspapers?
|
|
CHURCHILL |
Only the vulgar ones.
|
|
LANG |
They say he is dim.
|
|
CHURCHILL |
Runs in the family.
|
|
LANG |
They say he has epilepsy.
|
|
CHURCHILL |
Maliciously untrue.
|
|
LANG |
Fragile, prone to illness...
|
|
CHURCHILL |
Some correctness in that.
|
|
LANG |
They predict he'll be unable to complete the full coronation ceremony.
|
|
CHURCHILL |
You propose a private initiation?
|
|
LANG |
My idea exactly!
|
|
CHURCHILL |
I rather thought it might be. Yet what we really need is a pageant of pomp and pomposity to impress the world.
|
|
LANG |
What we need, and what we'll get may be two rather different things. Did you hear his pathetic attempt at the Accession Council?
|
|
CHURCHILL |
So you'd plonk a tinsel crown on his head and send him off to a remote country estate? As they did with his brother Johnny? Who then will spiritually lead this great nation into battle? Who will address the far-flung corners of this Empire, rallying all to our defence? Is that what you have in mind?
|
|
LANG |
And why not? You clearly feel qualified for leadership, Winston; so do I. The Church has provided guidance before. From the time of Augustine.
|
|
CHURCHILL |
You refer to Sigeric the Serious?
|
|
LANG |
I'm referring to the likes of Saint Thomas a Beckett.
|
|
CHURCHILL |
He was murdered. Archbishop Simon Sudbury was beheaded during the Peasant's Revolt. You've a lot to look forward to.
|
|
LANG |
Mock, Winston, mock... if you find the notion of a nation guided by moral precepts and shepherded by a churchman amusing.
|
|
CHURCHILL |
Cosmo, you may have been elected by God, but he has only one vote.
|
|
LANG |
Whereas the King is not elected at all.
|
|
CHURCHILL |
Whereas a Prime Minister IS.
|
|
LANG |
That includes the Chancellor of Germany. He, too, was elected. What I'm suggesting is instead of being led by an unfortunate accident of birth, or a lurid politico acclaimed by the unwashed, what if we were guided by a man of God?
|
|
CHURCHILL |
And you're just the man?
|
|
LANG |
(an earnest glimpse at his fervent dream) I do feel it! With our nation in peril, it is my calling. (beat) Would that be such a calamity?
|
|
CHURCHILL |
Best ask our new King.
|
|
Bertie has entered. The Archbishop spins around to greet him.
|
|
|
LANG |
Your Majesty... (recovering quickly) Churchill and I were just discussing the urgent question of what to call your brother in the future. Aside from the obvious.
|
|
Bertie does not share the joke.
|
|
|
BERTIE |
What do you suggest?
|
|
LANG
|
Mr. Edward Windsor is all he deserves. |
|
BERTIE |
Tell me, what has my brother given up on his abdication, other than the throne?
|
|
The Archbishop looks to Churchill for help. He gets none.
|
|
|
|
Wouldn't it be a good idea to find out before coming to me? He cannot be Mister. He was born the son of a Duke, making him a Lord at the very least.
|
|
CHURCHILL |
Very well, Lord Edward Windsor it is.
|
|
BERTIE |
So, as a Lord of the realm, he's entitled to take a seat in the House of Lords?
|
|
CHURCHILL |
Certainly.
|
|
BERTIE |
Heading the King's Party.
|
|
LANG |
That is quite unacceptable.
|
|
BERTIE |
So how would you deal with him? If he were made a Royal Duke, and called His Royal Highness, he may not speak or vote in the House of Lords.
|
|
LANG |
Oh, I say...
|
|
CHURCHILL |
The Duke of Windsor.
|
|
LANG |
Well done. (to Bertie) Allow me to show you our preparations.
|
|
CHURCHILL |
(whispers to the Archbishop) Dim? (beat) As a convert to the American concept of separation of Church and State: I am no longer here.
|
|
Exit Churchill.
|
|
|
BERTIE |
So... the site of the execution?
|
|
LANG |
Ah, yes, wireless is indeed a Pandora's Box. I have, however, categorically said no to the BBC's new radio-with-pictures device. Imagine, our people viewing us as we blow our noses or scratch our bottoms.
|
|
BERTIE |
Radio with pictures?
|
|
LANG |
It is called 'television'. Happily, with a transmission range of only fifteen miles this 'TV' thing has no future. We shall, however, be forced to permit cinema; the product of which I shall personally edit.
|
|
BERTIE |
That'll keep you busy, removing all my stops and starts.
|
|
LANG |
Unless, of course, you'd prefer a quiet ceremony.
|
|
Bertie stares at him.
|
|
|
|
Something... private. We could pre-record an edited version to be broadcast to the world. Or even find an actor with a similar voice...
|
|
Lionel has appeared from the shadows.
|
|
|
LIONEL |
A King based on deception?
|
|
LANG |
(to Bertie, privately) If your gentleman from Security would give us space, we could discuss this in private.
|
|
BERTIE |
You mean my bodyguard, 'crusher'?
|
|
Lionel tries to look his most scary. The Archbishop gives him a scathing look, continues to speak to Bertie confidentially
|
|
|
LANG |
Fret not. As I assured our nation in my recent broadcast: “When his people listen to their new Monarch they will note an occasional momentary hesitation in his speech. But to those who hear it, it need cause no sort of embarrassment, for it causes none to him who speaks.“
|
|
LIONEL |
Why not paint him pink and cover him with sequins?
|
|
LANG |
Pardon?
|
|
LIONEL |
If you wish to call attention to his anxiety.
|
|
LANG |
Does your bodyguard know to whom he's speaking? He certainly doesn't know his place.
|
|
BERTIE |
Doctor Lionel Logue, my Harley Street speech therapist.
|
|
LANG |
Therapist? I had no idea! Had I been informed your Majesty was seeking assistance I would have made my own recommendation.
|
|
BERTIE |
Dr. Logue is to be present at the Coronation.
|
|
LANG |
There's no more room. Even for a Harley Street physician.
|
|
BERTIE |
Behind the chair of Edward the Confessor.
|
|
LANG |
The Royal Box?! Your Family will be seated there.
|
|
BERTIE |
Making it most suitable.
|
|
LANG |
Perhaps I'll be able to add a very small stool.
|
|
BERTIE |
Two comfortable chairs. One for Madam Logue. She's a close friend of my wife. The Queen.
|
|
LANG
|
I'll have someone attend to it.
|
|
LIONEL |
And now, if you don't mind, we need the premises.
|
|
LANG |
My dear fellow! This is Westminster Abbey! The Church must make preparations!
|
|
LIONEL |
So must Bertie.
|
|
LANG |
BERTIE??!! We do not call the King 'Bertie'!
|
|
LIONEL |
I do. We'll need the facilities. No observers.
|
|
BERTIE |
Those are my wishes, Your Grace.
|
|
The Archbishop nods curtly and exits.
|
|
|
|
You've made a dangerous enemy.
|
|
LIONEL |
Wouldn't want him as a friend.
|
|
BERTIE |
And don't ever call me Bertie in public.
|
|
Lionel knows he's over-stepped. He nods.
|
|
|
LIONEL |
Let's get down to business then, shall we? As soon as you and Queen Elizabeth enter through the West door, you'll be greeted with the hymn 'I Was Glad When They Said Unto Me'. You won't actually be that glad because they sing it for a great long time. You'll then show yourself to the various sides of the Abbey as the Archbishop announces four times in a loud voice 'Sirs, I here present unto you...' - uhm, have you decided your name for when you become... a different person?
|
|
BERTIE |
George.
|
|
LIONEL |
Like your father?
|
|
BERTIE |
Like my father.
|
|
LIONEL |
Not Albert?
|
|
BERTIE |
Given the current situation...
|
|
LIONEL |
Too Germanic. 'Sirs, I here present unto you, GEORGE, your undoubted King!'
|
|
[#>SOUND: reverb INCREASE] [Turn up reverb from -9db to rougly around -2db] |
|
|
'GEORGE, your undoubted King!' echoes through the Abbey.
|
|
|
[#>SOUND: mic OFF, reverb OFF] [Turn down reverb back to -9db] |
|
|
|
|
|
SCENE 24
|
|
|
At the Logues'. Lionel enters.
|
|
|
MYRTLE |
You look done in.
|
|
LIONEL |
I've news for you. You're coming to the Coronation.
|
|
MYRTLE |
I've news for you. I'm not.
|
|
LIONEL |
You must.
|
|
MYRTLE
|
Stand in the rain hoping for a glimpse?
|
|
LIONEL |
The Royal box. You and I.
|
|
Stunned silence.
|
|
|
MYRTLE |
Lionel, I'd need a new dress.
|
|
LIONEL |
Rather thought you might.
|
|
[#SOUND: s24-01-phone-ring] [Cue on “Rather thought you might”] |
|
|
Phone rings offstage.
|
|
|
|
Won't be a sec.
|
|
He exits.
|
|
|
|
|
|
SCENE 25
|
|
|
Westminster Abbey. Later that night Lionel enters.
|
|
|
[#>SOUND: mic OFF, reverb ON]
|
|
|
LIONEL |
Bertie!? Blast – stepped on Charles Darwin. Bertie...?! You phoned...? Thought you'd be exhausted.
|
|
Lights snap on skewering Lionel. Bertie steps into view, wearing a coat.
|
|
|
BERTIE |
This is not a rehearsal, Doctor Logue.
|
|
LIONEL |
(realizes the trouble he's in) Ah, the Star Chamber Inquisition. I wondered when that would happen. - And I just promised Myrtle a new frock.
|
|
BERTIE |
(barely controlled) 'Call me Lionel'! You never did call yourself 'doctor'. We said it for you. The Archbishop has made inquiries. No diploma. No training. No credentials. Just a great deal of nerve.
|
|
LIONEL |
Want to hear my side of the story?
|
|
BERTIE |
There isn't a 'your-side-of-the-story'! This is my story. And you've ruined it! It isn't just the coronation, terrifying enough, it's the radio speech to millions afterwards, and the speech after that, for the rest of my failed miserable life!
|
|
LIONEL |
(softly) Wembley Stadium...
|
|
BERTIE |
You dare remind me?
|
|
LIONEL |
I was there.
|
|
BERTIE |
Then you knew from the start I was hopeless!
|
|
LIONEL |
I knew I could help you.
|
|
BERTIE |
Lying bastard!
|
|
LIONEL |
You refuse to believe?
|
|
BERTIE |
In you!?!
|
|
LIONEL |
In yourself.
|
|
BERTIE |
Who the hell do you think you are?
|
|
LIONEL |
A failed actor.
|
|
BERTIE |
What??!!
|
|
LIONEL |
Father wanted me to be a doctor, but I couldn't cut flesh. So I recited in pubs, put on readings of Shakespeare, appeared with the dramatic society.
|
|
BERTIE |
An actor!!?
|
|
LIONEL |
When the war came, the first casualties limped home, broken in bone and spirit. Poor buggers. 'Lionel, you're a good talker, see if you can help these poor sods.' The shell-shocked were the saddest. Most stuttered. Far worse than you. Music therapy helped, but I found I had to go deeper, as you might well imagine.
|
|
BERTIE |
I know nothing of those poor men.
|
|
LIONEL |
I think you do. They had cried out in terror, and no one had listened. So they'd lost faith in their voice. My job was to make them shout in anger: 'I have the right to be heard!'
|
|
BERTIE |
I suppose that helped, did it?
|
|
LIONEL |
Make inquiries.
|
|
BERTIE |
Inquiries were made! No credentials.
|
|
LIONEL |
A lot of success. Bertie – no training was given. Not in western Australia. Not then. I simply 'knew' what to do. When the war was over I kept on being a therapist to earn a living. Then I thought, 'Right, Lionel, you've always wanted to be an actor, the real thing, one last go.' I pretended it was the Great Australian Pilgrimage home to Mother England. Cashed in our return tickets; gave me three months’ rent.
|
|
BERTIE |
You set yourself up on Harley Street, as an actor? Harley Street, don't you know, is for doctors!
|
|
LIONEL |
The plaque says, 'L. Logue, Speech Specialist'. No mention of a medical degree. No mention of any degree. Some of the Diggers I'd helped had come to England. They made referrals. My practice flourished. My acting, however, did not.
|
|
BERTIE |
Well, enough to deceive me.
|
|
LIONEL |
Lock me in the Tower.
|
|
BERTIE |
I would if I could!
|
|
LIONEL |
For what crime?
|
|
BERTIE |
Fraud! You've saddled this nation in its moment of peril with a voiceless King. Destroyed the happiness of my family. _ all for the sake of ensnaring a star client you knew you couldn't possibly assist!
|
|
Lionel sits down on the chair of Edward the Confessor.
|
|
|
|
What are you doing!? Get up!
|
|
LIONEL |
I'm tired.
|
|
BERTIE |
You can't sit there!
|
|
LIONEL |
Why not? It's a chair.
|
|
BERTIE |
It' the chair of Edward the Confessor! The throne upon which every King for six and a half centuries has been crowned.
|
|
LIONEL |
It's falling apart. People have carved their initials into it.. It needs a stone to keep it from blowing away.
|
|
BERTIE |
That's the Stone of Scons, the Stone of Destiny that was once Jacob's pillow!
|
|
LIONEL |
You believe such bollocks. I don't care how many royal backsides have sat on it, it's a building block with handles attached. You're just like me, an actor with tawdry stage props you choose to believe are real.
|
|
BERTIE |
Listen to me....
|
|
LIONEL |
Listen to you? By what right?
|
|
BERTIE |
Divine right, if you must! I'm your King!!!
|
|
LIONEL |
Noooo, you're not! Told me so yourself. Said you didn't want it. So why should I listen to a poor stammering bloke who can't put one word after another? Why waste my time listening to you?
|
|
BERTIE |
Because I have a right to be heard!
|
|
LIONEL |
Heard as what?
|
|
BERTIE |
A MAN! I HAVE A VOICE!
|
|
LIONEL |
(quietly) Yes, you do. Bertie, you'll make a bloody good King.
|
|
LANG |
(from the shadows) Your Majesty? (entering) You'll be relieved to learn I've fund a replacement specialist with impeccable credentials.
|
|
Long silence.
|
|
|
BERTIE |
That won't be necessary.
|
|
LANG |
For your own well-being the matter's already been settled. |
|
BERTIE |
What did you say?
|
|
LANG |
Your Majesty's function is to consult and to be advised. You didn't consult, but you've just been advised.
|
|
BERTIE |
Now I will advise you. In this personal matter I will make my own decision.
|
|
LANG |
May I remind you, you do not place the crown upon your own head.
|
|
BERTIE |
And may I remind you, it is my head upon which the crown is placed.
|
|
LANG |
This will end badly.
|
|
The Archbishop exits.
|
|
|
LIONEL |
In hushed tones the BBC commentator paints a picture for the world, as you stand at the altar divested of your robes. Trumpets echo through the abbey. The incessant rain clears miraculously as a shaft of sun streams through the stained-glass window catching your golden tunic and bathing you in light like a medieval knight. And you are King!
|
|
[#>SOUND: reverb INCREASE] [Cue on "King", Turn up reverb from -9db to rougly around -2db] |
|
|
[#>SOUND: mic OFF, reverb OFF] [Turn down reverb back to -9db] |
|
|
[#SOUND: s25-s26-score] [Cue "And you are the King", stop when actors are seated after scene change] |
|
|
|
|
|
SCENE 26
|
|
|
The editing room; footage of the crowning ceremony is seen . Churchill and the Archbishop are reviewing the footage.
|
|
|
LANG |
Fortunately, during the ceremony I did most of the speaking. All he had to do was repeat 'I will'. Nonetheless, I was much moved.
|
|
CHURCHILL |
There were tears in my eyes, too, Your Grace, particularly when I saw you and the Dean of Westminster cannoning into each other.
|
|
LANG |
That's been edited.
|
|
CHURCHILL |
More tears when our new Monarch started towards his throne, only to be brought to an abrupt halt owing to one of the bishops treading on his robe.
|
|
LANG |
To all the world it went splendidly.
|
|
The footage changes to David and Wallis visiting Hitler in Germany.
|
|
|
CHURCHILL |
But while no one's been paying attention, our former King and his wife have been visiting the Führer to plot a comeback... as Hitler's King of England! With that woman as Queen! They will succeed if Bertie falters, and he continues to falter very badly indeed.
|
|
The footage now shows Hitler viewing troops, then Hitler talking.
|
|
|
|
Soon our King will have to broadcast to the world. Hitler will be listening. David will be listening. Stalin and Roosevelt will be listening. I'm afraid his greatest test is yet to come.
|
|
[#SOUND: s26-neville-chamberlain] [Cue after Churchill's dialogue (wait 2 seconds)] |
|
|
A wireless centre stage. Chamberlain's voice/recording
|
|
|
|
“I am speaking to you from the Cabinet Room at 10, Downing Street. This morning the British Ambassador in Berlin handed the German government a final note stating that unless we heard from them by 11 am, that they were prepared at once to withdraw their troops from Poland, a state of war would exist between us. I have to tell you that no such undertaking has been received, and that consequently this country is at war with Germany.“
|
|
|
|
|
SCENE 27
|
|
|
BERTIE |
(in the dark, stammering very badly) 'In this grave hour....' Sorry.
|
|
Lights up on Bertie's study. Bertie and Lionel are rehearsing.
|
|
|
LIONEL |
Try again.
|
|
BERTIE |
'In this grave hour...'
|
|
LIONEL |
Turn the halts into pauses, during which you say to yourself, 'God Save the King'.
|
|
BERTIE |
I say that all the time, but apparently no one's listening.
|
|
LIONEL |
Long pauses add solemnity to great occasions.
|
|
BERTIE |
Then I am the solemnest king who ever lived. Lionel, I can't do this! (overriding Lionel's protest) If I am to be King... where is my power? May I form a government on my own, chose a Prime Minister, levy a tax or declare a war? None of these things. Yet, I am the seat of all authority. Why? Because the Nation believes when I speak, I speak for them. Yet I cannot speak!
|
|
LIONEL |
(completely ignoring this) Take it from the top. 'In this grave hour...'
|
|
BERTIE |
'In this grave hour, p-p-perhaps...'
|
|
LIONEL |
Go on...
|
|
BERTIE |
The letter 'p' is always difficult.
|
|
LIONEL |
Take a running start. Put the words all together. 'Perhaps-the-most-fateful...'
|
|
BERTIE |
'In this grave hour...perhaps-the-most-fateful.... in our history...'
|
|
LIONEL |
Beaut.
|
|
BERTIE |
'I send to every household of my peoples...both at home and overseas...
|
|
LIONEL
|
… doo-dah, doo-dah... |
|
BERTIE |
… this message …
|
|
LIONEL |
Five miles long...
|
|
BERTIE |
'… spoken with the same depth of feeling for each one of you... as if I were able...
|
|
LIONEL |
In your head now: 'Bugger, bugger, bugger! Damn, damn, damn! All those bloody blighters are going to have to listen to me!' Can you dance?
|
|
BERTIE |
What?
|
|
LIONEL |
Helps relax the body. (goes to record player) Waltz?
|
|
BERTIE |
I prefer pipes.
|
|
LIONEL |
So I see. (starts 'Scotland the Brave') Dance with me. One, two, one-two-three-four. One, two, one-two-three-four. 'For the second time...' one-two-three-four. '… in the lives of most of us...' One, two, one-two-three-four. '… we are at war.' Three, four.
|
|
[#SOUND: s27-scotland-the-brave] [Cue "So I see", watch Lionel as he puts on the needle on the player] |
|
|
They dance at arms length.
|
|
|
BERTIE |
'For the second time... in the lives of most of us... we are at war.' One, two, three. 'Over and over again... we have tried to find a peaceful way... out of the differences... between ourselves and those who are now... our enemies:' Bugger, bugger, bugger! Fuck, fuck, fuck!
|
|
LIONEL |
You'll be ready.
|
|
BERTIE |
The shilling you won... Still have it?
|
|
LIONEL |
Of course.
|
|
Bertie holds out his hand demandingly. Somewhat hurt Lionel returns the shilling.
|
|
|
BERTIE |
I'll return it.
|
|
[#SOUND: s27-s28-score] [Cue on lights out] |
|
|
|
|
|
SCENE 28
|
|
|
State room, Buckingham Palace. The room has been turned into a de-facto recording studio. The dreaded BBC microphone dominates. Bertie enters with Elizabeth, Queen Mary, Lionel and Myrtle. Bertie approaches the microphone.
|
|
|
BERTIE |
'Walk up to the bloody thing, stare it square in the eye, man to man.'
|
|
Bertie spreads the fingers of one hand, touches the apparatus with his little finger, thumb to chin, testing it. Lang and Churchill enter.
|
|
|
|
Bugger, bugger, bugger.... bloody, bloody, bloody...
|
|
ELIZABETH |
Bertie, do make sure that's not switched on! Mr. Churchill, Your Grace, how kind of you to join us.
|
|
LANG |
Mam. Wouldn't miss it for the world.
|
|
Bertie and Lionel talk privately.
|
|
|
BERTIE |
No matter how this turns out, I thank you for asking such dreadful questions. What can I do in recompense?
|
|
LIONEL |
(lightly, but seriously?) A Knighthood?
|
|
BERTIE |
That would raise questions.
|
|
LIONEL |
Understood.
|
|
Bertie takes something from his pocket.
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BERTIE |
Your shilling.
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LIONEL |
Keep it for good luck.
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BERTIE |
No. You won it fair and square.
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It is a silver medal, Bertie pins it to Lionel's jacket.
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Had it made into a medal. Designed it myself. Hope you like it.
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LIONEL |
My greatest honour. One last question though.
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BERTIE |
Oh, dear.
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LIONEL |
Do you believe you're King?
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Long pause.
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BERTIE |
Almost.
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LIONEL |
You speak for the people. Say it to them... as you would to a friend.
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[#>SOUND: mic ON]
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The red light on the microphone starts to blink. Lionel sits next to Myrtle, shows her the medal.
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BBC NEWS READER |
This is the BBC national and World Programme, broadcasting from Buckingham Palace. His Majesty, The King.
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During this, Bertie's hands start to shake, the pages of his speech rattle like dry leaves... all the old symptoms reappear. Elizabeth grasps the arms of her chair. Lang's eyes roll heavenward. Churchill studies the situation, ready to leap into the breach. Bertie and Lionel stare at each other. Lionel smiles calmly, to ally confidence in the man he's worked with. His confidence is contagious. Bertie takes a deep breath, lets it our slowly.
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BERTIE |
In this grave hour, perhaps the most fateful in our history, I send to every household of my peoples, both at home and overseas, this message spoken with the same depth of feeling for each one of you as if I were able to cross your threshold and speak to you myself.
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All lights fade, except the one on Bertie. He still hesitates on occasion, but he does not halt.
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For the second time in the lives of most of us we are at war. Over and over again we have tried to find a peaceful way out of the differences between ourselves and those who are now our enemies. For the sake of all that we ourselves hold dear, and of the world's order and peace, it is unthinkable that we should refuse to meet this challenge. It is to this high purpose that I now call my people at home and my peoples across the seas, who will make our cause their own. I ask them to stand calm, firm, and united in this time of trial. The task will be hard. There may be dark days ahead, and war can no longer be confined to the battlefield. But we can only do the right as we see the right, and reverently commit our cause to God. If one and all we keep resolutely faithful to it, ready for whatever service or sacrifice it may demand, then, with God's help, we shall prevail.
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The red light on the microphone goes off.
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BBC NEWS READER |
This concludes the BBC broadcast of the King's Speech.
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[#>SOUND: mic OFF]
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CHURCHILL |
(close to tears) He wasn't perfect. But, by God, he knows how to speak.
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All get off their chairs and join Bertie. Churchill is first.
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CHURCHILL |
Couldn't have said it better myself.
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LANG |
For the first time, I'm at a loss for words.
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Churchill and Lang recede into the shadows.
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ELIZABETH |
(aside) Thank God.
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MYRTLE |
(whispers to Lionel) Lionel, I think you're 'home'. (beat) And so am I.
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Elizabeth tenderly kisses Bertie's cheek.
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ELIZABETH |
Well done, Bertie.
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She crosses to Lionel and shakes his hand.
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Well done... (a first:) … Lionel.
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She and Myrtle recede to the shadows. Bertie and Lionel are alone. Lionel bows his head slightly.
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LIONEL |
Your Majesty.
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They shake hands.
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BERTIE |
Thank you... my friend.
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Lights fade.
CURTAIN |
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[#SOUND: s28-closing] [Cue on curtains] |
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